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The Hickory Bend production of “Alice” is a new interpretation with a Texas twist by a local writer. Wonderland is re-named Tumbleweed Land. The play mixes events and characters from cowboy history with those of Lewis Carroll’s two books.

Jandy‘s encounters at her new/old school parallel those of Alice down the rabbit hole and through the looking glass. She gets lost in the warren of hallways joining the buildings. A good student made to feel stupid, she can recite Persian poetry, but has missed out on American classics. Friends leave her behind with their chit-chat about fashions and film stars.

Down is up, and up is down. People talk in riddles. Nothing makes sense. Jandy must find her own ways to navigate the landscape. After a weird and wonderful adventure, she will emerge at Tamam Shud (the Very End in Farsi), with renewed confidence and relief that it is over. Read More 

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While Jandy Graham is content to paint and shift scenery, Maryam Darabi prefers acting and dancing. When the international school in Shekarabad, Iran, staged “Ali Baba” in 1978, Maryam played a slave girl, Morgiana [SECRET OF THE SEVENTH GATE]. She swayed and twirled in an ever-faster dance, until she was close enough to the wicked oil merchant to seize his hidden dagger. The school’s previous show had been "Alice in Wonderland" with Maryam in the lead role.

Fast forward to Hickory Bend, Texas, 1979, setting for the sequel, RIDDLE OF THE SAMOVAR. Jandy sees the local production of "Alice" as a way to help her friend get involved in the community, after the ordeal of fleeing Iran. But Tammie Traylor, a Buffalette cheerleader, has different ideas about the Lobster Quadrille.

Should it be danced with the French traditional four walls (lines) or just one, as in the new craze called line dancing? Another girl suggests the disco-inspired Electric Slide. Will the dancers dress as sea creatures, as per Lewis Carroll's book, or wear hats and boots like the popular Dallas Cheerleaders? As Jandy points out, they can be flexible, because this version of the story is already like no other, having been given a Texas twist by a local writer. She even considers a samovar instead of a china teapot for the Mad Hatter scene. But who has the final say on choreography? What about the music? Opera, zydeco, or twangy country?

I had fun researching the evolution of these dances over the decades. Read More 
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