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FRESH FROM THE INKWELL

V: VANDERGRIFF

How do authors come up with names for characters? Their own lives? The telephone directory? The sound of a name, or its meaning/connotation? All of the above?

Jandy’s favorite teacher at the International school in Iran got her last name from Vandergriff Park in Arlington, Texas. It had a special association for me. My SCBWI chapter held workshops and conferences in a building there, before we outgrew it. As with many of my own teachers, I don’t even know Miss Vandergriff’s first name! Presumably I gave her one. It must be in the bio sheet I drafted when I began to plot SECRET OT THE SEVENTH GATE. So I can look it up if needed.

Miss Vandergriff wears her hair In a French knot, paints her fingernails pearly pink, and wears a jasmine fragrance. That much I rememember. She may not appear physically in RIDDLE OF THE SAMOVAR. I’m not ruling it out, as most Americans have left Iran by 1979, or soon will. Maryam heard a rumor that she was engaged to an Iranian pilot, so she may choose to stay. But her influence over Jandy’s life continues.

Admiring her set for the Ali Baba show, Miss Vandergriff had pronounced her the “best little artist this side of the Dez River!” This gives Jandy confidence to pursue art when she returns to Hickory Bend. Might she become the "best little artist this side of the Red River"? Unable to fit art into her class schedule, she volunteers to paint scenery for a local production of Alice in Wonderland.

Jandy had also been in Miss Vandergriff's class for 8th grade English, but Maryam attended a separate class with students whose second language was English. For the lesson featured in SEVENTH GATE, Jandy created an Arabian Nights tale (number 1,002) while listening to Rimsky-Korsakov's "Sheherazade" - absorbing Persian and Russian culture at the same time.

A teacher's approach to life and work affects kids' lives in big and small ways, for better or for worse. His or her words are imprinted on minds and report cards for decades to come. Read More 

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FOR YOU, DAD

4o years ago this week my father went ahead of us to Heaven, at age 55. I feel as if I've been living on borrowed time ever since I too passed that double-nickel birthday, all the more determined to make every day count.

Daddy worked hard on the Isle of Wight County Press, covering court cases, the arts, and community events. We kids accompanied him to carnivals and ag shows, enjoying fresh meat pies and dairy ice cream. As I humbly follow in his literary footsteps, I'm thankful for his enouragement and guidance.

It was Dad who showed me how to prepare a manuscript for publication. My first rejection was from Blackie Books for a children's adventure during my first year of teachers' college. Had he lived to retirement, my father would've had time for his own writing, such as WWII memoirs, poetry, and short fiction. Among my prized possessions are 2 dozen or so of his parodies and twist-in-the-tale stories, both published and unpublished.

In tribute to Roy Longhurst (1916-1972) I will post 3 poems from my chapbooks,
TAPESTRY OF TIME and HOMEWARD TRACKS:

DISCOVERY

Hands trembled,
heart beat faster,
when I found Dad’s
magazines in a dusty
cupboard under the stairs.

A couple of ads,
no pictures.
But I pored over
those pages nightly,
worked my way
through every issue,
nurturing a secret desire.

Satisfy the itch,
one article urged.
Satisfy the itch
with the scratch of a pen.

I just couldn’t
get enough
of those magazines
for writers.

ISLE OF WIGHT CHILDHOOD

We jumped the waves that pounded Sandown Beach,
mermaid-hair seaweed caught between fingers,
nostrils filled with the tang of freedom,
our salty lips re-shaping vanilla cones:
It seemed that summer would never end.

Locals and visitors flung open beach hut doors;
their kettles whistled on Primus stoves.
Mr. Earnshaw trudged through squishy sand
collecting deck chair money, while a megaphone
blared the times for trips across the bay.

Distress signals punctuated our pleasure: boom!
boom! Send lifeboat or chopper to rescue a tripper
who tried to beat high tide around Culver Cliff.
We dabbled in rock pools by lupine-lined shores,
hiked up the chalk ridge (island’s backbone)
strewn with bunny currants and golden gorse,
to picnic at the top, sharing the vista with ghosts
of Tennyson and Keats. No mainland in sight,
who knew what might loom on the hazy horizon?
Submarine, schooner, battleship, even a galleon.

Six weeks off school culminated in a carnival.
Crepe paper streamers all down the High Street
saluted grand floats to a heart-jolting drumbeat.
Daddy winked at me under the shiny black peak
of his Town Band cap, tootling into a horn,

We’ll Make a Bonfire of our Troubles. Up
to the fairground we followed in step, enticed
by hot dogs, a Ferris wheel, candy floss,
fireworks--eruptions of magical color that made
the crowd cry, “Ooh! Ah! Better than last year!”

A POCKETFUL OF PENNIES

My father never learned to drive a car.
His pockets rattled with loose change, not keys
Whenever he gave armchair pony rides,
Four giggling children on two jiggling knees.
Coins came in handy for his magazines,
Tobacco, tickets on the daily bus,
Occasional ice cream cones or Bounty bars
And favorite weekly comic books for us.
How could I then, how could I even think
Of acting on my friend Georgina’s dare
To help myself? She did it all the time,
Stole from her mother’s purse without a care.
I spied Dad’s trousers hanging on the door,
Dipped in and found a dozen pennies bright;
But guilt sank to my stomach like a stone.
I slid them back, and oh, my heart was light
When Dad came home; he twirled me, jingling loud,
Then after supper tucked me up in bed.
He told us made-up tales of Harold Hare
And slipped a coin beneath each pillowed head. Read More 
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